Tribute to Andrew Eagle, a gifted writer, cherished friend, and storyteller.
I inhale the luxurious scent / of squelched earth / smoking under the sodden leaves
Ask me not of Grief. For I have been burnt by its friendly fire with blood and bits of oozing mortal flesh spun flaky and ashen by its biting cold breath.
Today, sitting on my balcony in Dhaka, with my face to the south looking down at the green neighbourhood park, I look back on my
The little girl in the yellow summer frock looks up at the floating fluffy clouds. Wide-eyed, head tilted back, smiling at the gliding, feathery edges of the dense mass.
Unbearable sticky sweaty subtropical hotness of August. Disgruntled and disgusted at the shocking turn of events following the popular “Quota” and “Safe Roads” movements.
Pahela Falgun, the first day of spring, did not work its magic of rebirth upon my soul. I felt no quickening, burgeoning re-awakening of the creative spirit in myself, nor did I find it in the natural world around me.
and clothe and feed and succour the ruined, forlorn Rohingya, I cannot but feel anxious for our own swiftly depleting resources.
Incarcerated in the camps in (West) Pakistan after the surrender of General Niazi and the capture of over 90,000 Pakistani soldiers, the Bengali Armed Forces Officers and their families counted the days and months as they eagerly awaited repatriation to their newly liberated motherland.
Did not Joyce Kilmer say, “I have never seen a poem as beautiful as a tree”?
When, in March 1971, my eyes first beheld the radiant facsimile of the flag of Bangladesh – the small handprint of my deltaic
when the well is dry,we learn the worth of water”—Benjamin Franklin
Is there a silver moonstone for me
Springtime in Melbourne, her fifth time in this abode of blood-ties and new generation, but her first in this season of renewal.
The diurnal and the nocturnal gyrations of the earth, the magnetic and gravitational attraction and repulsion of the celestial spheres
Potters and weavers and metalworkers and goldsmiths create dazzling, intricately-designed artifacts praised and highly prized by all who look upon them. Every harvest, or spring, autumn, and winter festival is a colourful carnival, with music and dance and ritual offerings and prayers.
