For decades, Bangladeshi fashion has grappled with an unspoken dilemma — how does one balance global aspirations with cultural heritage? The answer, for many, seemed to lean toward western influences, often at the expense of traditional styles.
Pinon hadi, a traditional cultural attire, has evolved from a single-piece garment to include modern elements like embroidery. Woven manually using back strap looms, it blends heritage, sustainability, and contemporary aesthetics, gaining popularity as bridal wear.
That blind obsession with the sartorial choices of Bollywood actresses and celebrities is a thing of the past; we have, at long last, come into our own.
For decades, Bangladeshi fashion has grappled with an unspoken dilemma — how does one balance global aspirations with cultural heritage? The answer, for many, seemed to lean toward western influences, often at the expense of traditional styles.
Pinon hadi, a traditional cultural attire, has evolved from a single-piece garment to include modern elements like embroidery. Woven manually using back strap looms, it blends heritage, sustainability, and contemporary aesthetics, gaining popularity as bridal wear.
That blind obsession with the sartorial choices of Bollywood actresses and celebrities is a thing of the past; we have, at long last, come into our own.
