“Chandalika” is the story of a lower caste woman, Prokrity, whom higher caste people have labelled “untouchable”.Photo: Mumit M.

Desh Bangla Theatre staged its latest production “Chandalika”, an adaptation of Rabindranath Tagore's much popular dance-drama, on June 27 at the Experimental Theatre Hall, Bangladesh Shilpakala Academy. The dance-drama has been turned into a narrative form, designed and directed by Bivash Bishnu Chowdhury.
“Chandalika” is the story of a lower caste woman, Prokrity, whom higher caste people have labelled “untouchable”. Prokity develops an infatuation with a Buddhist monk, Ananda. The genesis of the attraction can be traced back to an earlier incident where the monk was offered water by Prokrity.
Tagore adapted the dance-drama from “Jatak”, a collection of Buddhist stories. The original story depicts how, having achieved nirvana, Chandalika gives up her desire for Ananda. However, Tagore has not provided a glimpse of Buddha or the necessity of acquiring nirvana. His “Chandalika” is more flesh and blood, and dramatic.
In the end, when Prokrity's mother uses witchcraft to force Ananda to come to Prokrity, the latter turns down the object of her affections, as she realises that love cannot be achieved forcefully.
Apart from direction, Bivash Bishnu Chowdhury also designed the set, light and costume.
However, impressive set design could not conceal the below par performances by the actors. Mahjebin Godhuli, as the protagonist, could not do justice to one of Tagore's most memorable characters. She seemingly overacted at times. Aisharya Azad as Prokrity's mother was more impressive, though she seemed too young to play the role.
Among others, Manik Sarkar, Palash Loh, Rajkumar Paul, Kawsar Samad and Syamol Shishir did other roles.
The music, highlighting Rabindra Sangeet, was one of the brighter aspects of the production. The set was also designed aptly. Several props, hanging from above created a mysterious ambiance.
“Chandalika” is a tribute to Rabindranath Tagore on his 150th birth anniversary. The play received a grant from the Ministry of Cultural Affairs. It is the 9th production of Desh Bangla Theatre.