International Workers' Day, observed today, marks a historic day steeped in the struggles and sacrifices of workers across the world. Over the years, writers in every language have penned poems, novels, and stories about labour movements, while musicians have voiced their solidarity through songs. Equally powerful are the cinematic portrayals of working-class lives—films that go beyond mere entertainment to provoke thought and reflection. Here are a few remarkable local and international films centred on the labour force:

"Modern Times" (1936, USA)

Set in the post-Industrial Revolution era, this film—directed by and starring Charlie Chaplin—follows a factory worker struggling against the pressures of mechanisation, demanding routines, and capitalism. Balancing humour with sharp political insight, Chaplin masterfully portrays the inner turmoil of labourers in a rapidly industrialising world.

"Bicycle Thieves" (1948, Italy)

A cornerstone of European neorealist cinema, the film—directed by Vittorio De Sica—breaks from fantasy to offer a gritty, realistic portrayal of working-class hardship. It follows a poor man in Rome whose bicycle, essential for his job, is stolen. Along with his young son, he scours the city in search of it, laying bare the desperation of poverty.

"Sorry We Missed You" (2019, UK)

This poignant film by Ken Loach explores the harsh realities of the modern gig economy. A father begins work as a delivery driver under a so-called 'self-employed' scheme, only to watch his family life unravel. The film offers a powerful critique of precarious labour and systemic exploitation in today's workforce.

"Made in Bangladesh" (2019, Bangladesh)

Directed by Rubaiyat Hossain, this film centres on Shimu, a garment worker who courageously attempts to form a union to fight for workers' rights. Despite resistance from her employer and society, she perseveres. The film earned international praise for shedding light on the struggles of female workers in Bangladesh's apparel industry.

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"Peepli Live" (2010, India)

Anusha Rizvi's satirical drama follows two impoverished farmers who, in the hope of government compensation, decide to take their own lives. The film skewers media sensationalism and political opportunism, providing a searing commentary on the rural poor and their exploitation in the name of coverage and policy.