The artiste, whose lyrics and guitar immortalised the volatile, uncertain moments of the July Uprising through songs such as “Bhoy Banglay,” “Jonotar Beyadobi,” “Bhoy Banglay Bhoy,” “Ei Meye Shon,” “Rani Maa,” and “O Neta Bhai,” offered this correspondent a deeply personal glimpse into her creative process during a time when life seemed hollow and rebellion offered meaning.
Set against a parched desert landscape, the play follows a paranoid merchant, a humble porter, and a local guide as they journey across unforgiving terrain in pursuit of profit and survival. A fatal misunderstanding leads to tragedy, unfolding into a courtroom drama that questions whether justice can truly be impartial when wealth and power dominate the rules.
As Dhaka shimmered beneath days of rainfall, a quiet enchantment stirred inside the Sheraton Ballroom last Friday; however, this wasn't just another evening of performances. “Badol Diner Prothom Kodom Phul”, hosted by MW Magazine Bangladesh, unfolded more like a dream shared between memories and monsoon.
Panthakunja, located on Sonargaon Road, was once a rare oasis in the capital
More than just a home for the arts, it has long been a custodian of collective memory, responsible for shaping a culturally enriched, humane Bangladesh, rooted in its historical context. Despite its undeniable impact in preserving traditions, amplifying artistic expression, and cultivating national identity, the institution has long been a target for political manipulation, corruption, and political parties’ quests to control the cultural conscience of the country.
Thousands of Bangalees ushered in Bengali Year 1432 at Ramna Batamul on Monday morning, as Chhayanaut’s iconic Pahela Baishakh celebration marked its 58th edition with renewed hope, harmony, and heritage.
As the sun rose over Dhaka, Chhayanaut’s Pahela Baishakh celebration for the Bengali year 1432 began at Ramna Batamul. The theme of Chhayanaut's Pahela Baishakh celebration this year is "Amar Mukti Aloy Aloy" (my freedom lies in light). Through this theme, Chhayanaut aims to convey a message of hope, resilience, and renewal.
The artiste, whose lyrics and guitar immortalised the volatile, uncertain moments of the July Uprising through songs such as “Bhoy Banglay,” “Jonotar Beyadobi,” “Bhoy Banglay Bhoy,” “Ei Meye Shon,” “Rani Maa,” and “O Neta Bhai,” offered this correspondent a deeply personal glimpse into her creative process during a time when life seemed hollow and rebellion offered meaning.
Set against a parched desert landscape, the play follows a paranoid merchant, a humble porter, and a local guide as they journey across unforgiving terrain in pursuit of profit and survival. A fatal misunderstanding leads to tragedy, unfolding into a courtroom drama that questions whether justice can truly be impartial when wealth and power dominate the rules.
As Dhaka shimmered beneath days of rainfall, a quiet enchantment stirred inside the Sheraton Ballroom last Friday; however, this wasn't just another evening of performances. “Badol Diner Prothom Kodom Phul”, hosted by MW Magazine Bangladesh, unfolded more like a dream shared between memories and monsoon.
Panthakunja, located on Sonargaon Road, was once a rare oasis in the capital
More than just a home for the arts, it has long been a custodian of collective memory, responsible for shaping a culturally enriched, humane Bangladesh, rooted in its historical context. Despite its undeniable impact in preserving traditions, amplifying artistic expression, and cultivating national identity, the institution has long been a target for political manipulation, corruption, and political parties’ quests to control the cultural conscience of the country.
Pahela Baishakh heralds new beginning
Thousands of Bangalees ushered in Bengali Year 1432 at Ramna Batamul on Monday morning, as Chhayanaut’s iconic Pahela Baishakh celebration marked its 58th edition with renewed hope, harmony, and heritage.
As the sun rose over Dhaka, Chhayanaut’s Pahela Baishakh celebration for the Bengali year 1432 began at Ramna Batamul. The theme of Chhayanaut's Pahela Baishakh celebration this year is "Amar Mukti Aloy Aloy" (my freedom lies in light). Through this theme, Chhayanaut aims to convey a message of hope, resilience, and renewal.
As the nation now stands on the cusp of renewal, Pahela Baishakh 1432 arrives at a time when the people of Bangladesh are eager to reclaim their cultural voice—seeking a deeper connection to its identity, heritage, and hope. For centuries, it has been an occasion of collective celebration, resilience, and unity.
Chhayanaut is all set to celebrate Bangla New Year, Pahela Baishakh, with its iconic cultural programme at Ramna Batamul in Dhaka.
